Felix Mendelssohn Personality Type, MBTI
What is the personality type of Felix Mendelssohn? Which MBTI personality type best fits? Personality type for Felix Mendelssohn from Classical and what is the personality traits.
INFJ (4w3)
Felix Mendelssohn personality type is ISFJ, or Introverted, Sensing, Feeling, Judging. Those with this type make up nearly half of the population—a fact that's not surprising when you consider that this makes up the largest type in the ISTJ (Introverted, Sensing, Thinking, Judging) quadrant. Although this type comprises only one-third of the population, it is by far the most popular and the type that seems to be the most common among modern composers and musicians.
Most of them (41%) report having been born in Germany, and 10% in Great Britain. As far as composer types go, these countries have the greatest number of ISFJs. The next-highest number of ISFJs is found in France (2%).
ISFJs are characterized by a tendency toward introversion. They often seem to be more comfortable alone than with others, and they prefer to do their own thinking rather than to share their thoughts and ideas with others.
ISFJs have a great deal of respect for tradition and tradition-based structures. These people are usually respectful of other people's opinions and ideas, but also have enough intellectual independence to disagree with other people if they feel the need to do so.
Jakob Ludwig Felix Mendelssohn Bartholdy[n 1] (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,[n 2] was a German composer, pianist, organist and conductor of the early romantic period. Mendelssohn wrote symphonies, concertos, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the romantic era.
