Jean-Baptiste Lully Personality Type, MBTI
What is the personality type of Jean-Baptiste Lully? Which MBTI personality type best fits? Personality type for Jean-Baptiste Lully from Classical and what is the personality traits.
ENTP (3w4)
Jean-Baptiste Lully personality type is ENTP, or extraverted intuitive thinking perceiver. This is what he did. He was the greatest music-maker who ever lived, but he was also a brilliant plastic surgeon. He performed several thousand operations on his face, but he never performed one on himself. He remained the same throughout his life.
ENTPs are typically very popular with women. They are clever, clever people. They are very good at talking to women. Whether you are in the business world or the arts, or are involved in politics or in athletics, ENTPs are very good at talking to people. They are great talkers. They are also very good at making friends with women. They are typically very popular with women. They are typically very popular with men, too.
ENTPs are usually in involved in the arts, in the sciences, in the professions, in politics, in athletics, in law, in writing, in publishing, in poetry, in the arts. They are very good at what they do. They are very persuasive people.
ENTPs are typically very goal-oriented. They are often very good at achieving goals that are important to them, especially if that goal is important to other people as well.
Jean-Baptiste Lully (born Giovanni Battista Lulli; 28 November [O.S. 18 November] 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered a master of the French Baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661. Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to a family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar gave him his first music lessons and taught him guitar. He also learned to play the violin. In 1646, dressed as Harlequin during Mardi Gras and amusing bystanders with his clowning and his violin, the boy attracted the attention of Roger de Lorraine.
