Ludwig van Beethoven Personality Type, MBTI
What is the personality type of Ludwig van Beethoven? Which MBTI personality type best fits? Personality type for Ludwig van Beethoven from Classical and what is the personality traits.
INTJ (4w5)
Ludwig van Beethoven personality type is INTJ, or Introverted, Intuitive, Thinking, Judging.
INTJ’s are often seen as the most intelligent and creative of the 16 types.
While INTJ’s tend to be highly intelligent and creative, they can become too absorbed in their own thoughts and ideas.
They have a hard time being objective, and tend to have an opinion about everything. They often have a hard time convincing others of their point of view.
INTJ’s desire to be the best in any field is a driving force in their lives. They can be very perfectionistic and will do everything possible to get the job done perfectly.
In relationships, INTJ’s can be very passionate, but can become very critical of their partner or relationship. If they feel that their partner is not living up to their standards, they can become incredibly jealous and controlling.
INTJ’s want to be the best at everything they do. They can also be very hard on themselves and feel they always need to improve their skills and knowledge.
Ludwig van Beethoven was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his "middle" period showed an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as "heroic". During this time, he began to suffer increasingly from deafness. In his "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression.
