Nikolai Rimsky-Korsakov Personality Type, MBTI
What is the personality type of Nikolai Rimsky-Korsakov? Which MBTI personality type best fits? Personality type for Nikolai Rimsky-Korsakov from Classical and what is the personality traits.
INFJ (4w5)
Nikolai Rimsky-Korsakov personality type is INFJ, an Idealist, who is very much driven by their beliefs and values. They are kind, gentle, and warm people. As INFJs are loyal to their friends and take great care to be considerate of other people's feelings, they usually make good friends. INFJs are very concerned with the welfare of other people, and take great care to avoid hurting anyone, while still maintaining their own integrity. INFJs are very good listeners, and often find themselves helping others with their problems. They enjoy giving advice, and can be very good at giving it, whether or not it is the best course of action.
INFJ personality type is one of the rarest personality types in the world. Only 1% of the population is an INFJ personality type. INFJs are one of the most intelligent personality types, with the highest average IQ. The INFJ personality type is often misunderstood because INFJs are so quiet, and reserved. But they are very intelligent, and have a deep well of knowledge, wisdom, and inspiration. They are deeply creative people who love experiencing life through new experiences.
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods.
