Ilsa Lund Personality Type, MBTI
What is the personality type of Ilsa Lund? Which MBTI personality type best fits? Personality type for Ilsa Lund from Casablanca 1942 and what is the personality traits.
ISFJ (9w1)
Ilsa Lund personality type is ISFJ, which means, “… they are warm and affirming, seeking to make everything easier for others, and they are also very anxious to provide needed care for those around them. They tend to be the most self-sacrificing of any of the four types.”
“They’re the ones who hold doors for you, who go to a lot of trouble to make sure that everybody is happy.” – Gordon Ramsay, chef and television personality
ISFJs often live up to their name – they are very “people-oriented.” They are extremely loyal and supportive of those they know and love. They feel a deep sense of responsibility to those they care about and will do anything for them. ISFJs strive to be helpful and supportive to those around them, especially those they care about. Although they may seem quite shy and withdrawn at times, ISFJs always have a smile and a kind word ready to share with those who need it.
The ISFJ personality type is the second most frequent Myers-Briggs personality type, after the ISTJ personality type.
Casablanca is a 1942 American romantic film directed by Michael Curtiz based on Murray Burnett and Joan Alison's unproduced stage play Everybody Comes to Rick's. The film stars Humphrey Bogart, Ingrid Bergman, and Paul Henreid; it also features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson. Set during World War II, it focuses on an American expatriate who must choose between his love for a woman and helping her and her husband, a Czech resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans. Warner Bros. story editor Irene Diamond convinced producer Hal B. Wallis to purchase the film rights to the play in January 1942. Brothers Julius and Philip G. Epstein were initially assigned to write the script. However, despite studio resistance, they left to work on Frank Capra's Why We Fight series early in 1942. Howard Koch was assigned to the screenplay until the Epsteins returned a month later.
