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    The Cars Personality Type, MBTI

    What is the personality type of The Cars? Which MBTI personality type best fits? Personality type for The Cars from Music B&s and what is the personality traits.

    The Cars
    ISFP

    ISFP (7w8)

    The Cars personality type is ISFP, a type that is a little bit of a mystery to people.

    ISFPs are very quiet and introverted, and it is difficult to get to know them. They will often make a big deal about how shy they are, but they are just not that way. They just prefer to spend their time alone.

    ISFPs may be introverted because they want to enjoy their free time, but they don’t want to wear their quietness as a badge of honor.

    That said, ISFPs do have the ability to be very outgoing and friendly when they want to be. They just prefer to keep to themselves and be alone most of the time.

    One thing that ISFPs can be counted on for is their creativity and love for art and music. They will usually do all they can to bring these things into their daily life in some way. They may not be the most social people in the world, but when it comes to creativity, they can often surprise you with their level of skill.

    ISFPs don’t like to feel like they are being judged all the time, and because of this they can sometimes come across as rude and uncaring.

    The Cars were an American rock band formed in Boston in 1976. Emerging from the new wave scene in the late 1970s, the line-up consisted of Elliot Easton (lead guitar), Greg Hawkes (keyboards), Ric Ocasek (rhythm guitar), Benjamin Orr (bass guitar), and David Robinson (drums). Ocasek and Orr split lead vocal duties, and Ocasek served as the band's principal songwriter.

    The Cars were at the forefront of merging 1970s guitar-oriented rock with the new synthesizer-oriented pop that was then becoming popular and flourishing in the early 1980s. Robert Palmer, music critic for The New York Times and Rolling Stone, described the Cars' musical style: "they have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the ‘50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."

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