Ludwig van Beethoven Personality Type, MBTI
What is the personality type of Ludwig van Beethoven? Which MBTI personality type best fits? Personality type for Ludwig van Beethoven from Classi9 and what is the personality traits.
INFJ (4w5)
Ludwig van Beethoven personality type is INFJ, the Idealist. This makes sense since he was a philosopher, and idealists are very idealistic, and INFJ's are very idealistic. INFJ's are all about helping others, and giving back to the world in a good way. Beethoven was an INFJ who, via his music, helped other people through his music.
In the INFJ personality type section of the book, authors Linda V. Berens, Sanda L. Berens, and Pamela J. Farris state:
"The INFJ is an Introverted, iNtuitive, Feeling, Judging personality type. INFJs are Introverted, iNtuitive, Feeling Judging types who are also highly sensitive Extraverted Feeling types. They prefer to be alone and have a preference for ideas, concepts, and abstraction. They form close relationships with a few close friends and are very loyal to them. INFJs will often need to get away from people to recharge their batteries because they become drained easily."
The INFJ's high sensitivity is definitely part of the Beethoven story. Beethoven was a very sensitive person with incredibly high sensitivity.
Ludwig van Beethoven was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his "middle" period showed an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as "heroic". During this time, he began to suffer increasingly from deafness. In his "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression.
