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    Wolfgang Amadeus Mozart - Requiem Personality Type, MBTI

    What is the personality type of Wolfgang Amadeus Mozart - Requiem? Which MBTI personality type best fits? Personality type for Wolfgang Amadeus Mozart - Requiem from Classical and what is the personality traits.

    Wolfgang Amadeus Mozart - Requiem
    INTJ

    INTJ (4w5)

    Wolfgang Amadeus Mozart - Requiem personality type is INTJ, the "intellectual" type. It is often described as "the thinker", although it is also capable of great emotion and sensitivity. INTJs are the most independent of all the types, and are often described as brash, arrogant, and extremely headstrong. They are usually very bright, but dislike talking about themselves or their achievements. They are usually cold, calculating, and analytical, and refuse to be swayed by emotions or by anyone else's opinions. They are known for their independence, their daring, their intellect, and their outspoken opinions.

    INTJ Personality Type Description

    INTJs are often described as logical, strong-willed, objective, analytical, reserved, intelligent, objective, decisive, curious, reserved, quiet, mysterious, reserved, intelligent, objective, analytical, reserved, calm, daring, quiet, reserved, quiet, reserved

    INTJ Quotes

    W.E.B. Griffin - "Intellectuals are people who don't easily take any of the things that some people take for granted. Sex for instance. They don't know how to get their partners into bed with them."

    The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service to commemorate the anniversary of his wife's death on 14 February.

    Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the requiem for his own funeral.

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