What is the personality type of Chinghiz Aitmatov? Which MBTI personality type best fits? Personality type for Chinghiz Aitmatov from Writers Literature Modern and what is the personality traits.
Chinghiz Aitmatov personality type is INFJ, which is a rare personality type. INFJ personality type is also known as ‘the helping’ personality, they are the ones who have great empathy and understanding. They think deeply and have deep convictions and have a genuine concern for people. INFJ personality types are very sensitive, they have a great imagination and are very empathetic. They are kind and caring, they take great care of those who are close to them. INFJ personality types are good at listening, they know how to sympathize with people and want to be helpful. INFJ personality types are also good at repairing things and are good at communicating with people. They are also good at analyzing people’s feelings and intentions.
Chinghiz Aitmatov INFP Personality Type
INFP personality type is one of the rarest personality types. According to Myers Briggs, the INFP personality type is the ‘The Idealist’ personality type. They are idealists, they believe that people can change and improve their lives by their own efforts. INFP personalities are spontaneous, creative, and have great imagination. They also have a great interest in people and their hopes and dreams.
Chingiz Torekulovich Aitmatov (12 December 1928 – 10 June 2008) was a Soviet and Kyrgyz author who wrote in both Kyrgyz and Russian. He is one of the best known figures in Kyrgyzstan's literature.
Aitmatov's work has some elements that are unique specifically to his creative process. His work drew on folklore, not in the ancient sense of it; rather, he tried to recreate and synthesize oral tales in the context of contemporary life. This is prevalent in his work; in nearly every story he refers to a myth, a legend, or a folktale. In "The Day Lasts More Than a Hundred Years", a poetic legend about a young captive turned into a mankurt serves as a tragic allegory and becomes a significant symbolic expression of the philosophy of the novel.