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    Patativa do Assaré Personality Type, MBTI

    What is the personality type of Patativa do Assaré? Which MBTI personality type best fits? Personality type for Patativa do Assaré from Writers Literature Modern and what is the personality traits.

    Patativa do Assaré
    ENTP

    ENTP (1w2)

    Patativa do Assaré personality type is ENTP, which means that they are "Extroverted, Intuitive, Thinking, Perceptive" people.

    Patativa do Assaré ENTPs are known to be great at being very analytical and have a great sense of humor. ENTPs are also known to have a strong personal identity, which comes from their intuition and their analytical ability. ENTPs are very good at seeing how people are different from each other and how they can be used in order to achieve a goal.

    ENTPs love to solve problems and puzzles and they love to theorize. They love to figure out how things work and how they can be improved. ENTPs can come off as very secretive and sometimes they seem to be very mysterious. They also love to be different and unique and they love to be themselves.

    ENTPs are very friendly and extroverted, but they can also be very distant when it comes to close relationships. They can come off as unemotional and cold, but in reality they are just reserved and private people when it comes to their own emotions and feelings. ENTPs like to lead and they like to take things into their own hands.

    Antônio Gonçalves da Silva, popularly known as Patativa do Assaré, (Assaré, 5 March 1909 — 8 July 2002) was a Brazilian popular / oral poet, improviser of oral verse, composer, singer and guitar player. One of the main articulators of the Brazilian North-eastern oral poetry of the 20th century. In the beginning of the nineties he was already completely blind and walking with difficulty (as a result of an accident he had in Rio de Janeiro in 1973). He could barely hear as well, but still had his incredible power of memory and his sharp thinking. The complexity of his work is also evident in his capacity to create poems both in the ‘classical’ (sonnets, Camões’ metric) and in the popular styles.

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