Powaqqatsi: Life in Transformation (1988) Personality Type, MBTI
What is the personality type of Powaqqatsi: Life in Transformation (1988)? Which MBTI personality type best fits? Personality type for Powaqqatsi: Life in Transformation (1988) from Qatsi Trilogy and what is the personality traits.
INFJ (5w6)
Powaqqatsi: Life in Transformation (1988) personality type is INFJ, which is marked by introversion, intuition, idealism, and inner sensitivity. The INFJ type is often misunderstood, being fired by a desire for knowledge, but also a deep need for a personal connection with a specific person. They can be a bit detached from the world, so they may have a hard time understanding the needs of people who are not INFJs.
What do INFJs want?
INFJs need to feel understood and valued, so they need to learn to be aware of what they want. They may want to change aspects of themselves, but they also need to understand that change is hard and that they need to be patient with themselves. They may need to find some external validation from those around them, or they may feel that they are better off changing themselves on their own.
INFJs need to discover their strengths and weaknesses and learn how to use their natural gifts. They can be very intuitive and intuitively inspiring, but INFJs may have a hard time imagining the limitations of others. INFJs believe in themselves and their own personal power, but they can also have a hard time accepting that others may not be as strong as they are.
Powaqqatsi (or Powaqqatsi: Life in Transformation) is a 1988 American documentary film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi. It is the second film in the Qatsi trilogy.
Powaqqatsi is a Hopi neologism coined by Reggio meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in Third World countries between traditional ways of life and the new ways of life introduced with industrialization.[3] As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass.
