Naqoyqatsi: Life as War (2002) Personality Type, MBTI
What is the personality type of Naqoyqatsi: Life as War (2002)? Which MBTI personality type best fits? Personality type for Naqoyqatsi: Life as War (2002) from Qatsi Trilogy and what is the personality traits.
INTJ (5w6)
Naqoyqatsi: Life as War (2002) personality type is INTJ, and his or her primary function is Extraverted Intuition. The type that best describes this personality is ENTJ, and the primary function is Extraverted Thinking.
The life of the INTJ is not easy. The INTJ works for a long time to achieve a goal, and will never give up until the goal is reached. The INTJ does not worry about things that other people worry about, and is very confident in their own abilities. The INTJ will never give up until their goal is reached, and they will do what it takes to get there.
The INTJ sees things in very practical terms, and leaves the emotions to others. This type sees people as tools that can be used to reach their goals. The INTJ sees relationships as tools that help move the relationship forward. The INTJ does not want to share their feelings with others, but they do want to share their successes with others.
The INTJ cares about the people close to them, but they do not want to waste time talking about their feelings or how they feel about others. The INTJ will spend time with the people close to them, but they will always push others away when they are tired or need to be alone.
Naqoyqatsi (/nɑːkɔɪˈkɑːtsi/ NAH-koy-KAH-tsee),[4] also known as Naqoyqatsi: Life as War, is a 2002 American film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final film in the Qatsi trilogy.
Naqoyqatsi is a Hopi word (more correctly written naqö̀yqatsi) meaning "life as war". In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other".[4] While Koyaanisqatsi and Powaqqatsi examine modern life in industrial countries and the conflict between encroaching industrialization and traditional ways of life, using slow motion and time-lapse footage of cities and natural landscapes, about eighty percent of Naqoyqatsi uses archive footage and stock images manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced computer-generated imagery to demonstrate society's transition from a natural environment to a tec
