What is the personality type of Byzantine Art? Which MBTI personality type best fits? Personality type for Byzantine Art from Visual Art Genres and what is the personality traits.
Byzantine Art personality type is ISTJ, the “guardian” personality. They are well known for their reliability and practicality, a useful combination for someone whose job is to safeguard physical objects. This type is often found in the work of the Byzantines, who were well known for their fortifications.
Aristotle was also an ISTJ. He was known for his work as a philosopher, scientist, and logician, as well as being a teacher, which is a common function for this type. He was also a prolific writer, and his works on logic, politics and philosophy are considered to be among the most influential in history. An ISTJ makes a great scholar or writer because they are extremely thorough and diligent.
See the ISTJ profile on Personality Hacker
The ISTJ’s strengths include their ability to think things through thoroughly. Their ability to keep up with a project’s details is one they use to their advantage in their careers, and they are highly organized. They are able to keep track of things and know where everything is in a work environment. They are also able to separate themselves from the busy work that goes on in a workplace to keep themselves focused on the task at hand.
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it.