Jess Bradford Personality Type, MBTI
What is the personality type of Jess Bradford? Which MBTI personality type best fits? Personality type for Jess Bradford from Black Christmas 1974 and what is the personality traits.
ISFP (9w8)
Jess Bradford personality type is ISFP, which means that she is very sensitive to people's feelings and she internalizes her emotions more than most people do. She is more introspective than extroverted and more emotional than logical, though she is usually able to balance those two elements fairly well.
The ISFP personality type is often mistaken for the INTP personality type, which is a bit more outgoing and less emotional. Both types are often responsible for their own internal thoughts and feelings, though the ISFP is just a bit more expressive of those thoughts and feelings.
ISFPs are often seen as quiet or shy by their peers because they tend to feel a bit more internally than extroverts do. The ISFP likes to spend time alone so she can think things through and process her feelings, but she doesn't dislike being around others. Many ISFPs are quite good at reading other people's moods and feelings, but they often feel awkward expressing those emotions in front of others. Because they are often shy, ISFPs tend to have a hard time expressing their emotions.
There are a few different "types" of ISFPs, though all of them have the same dominant function.
Jess Bradford is a fictional character in the Black Christmas franchise. She is the main protagonist of Bob Clark's seminal slasher film Black Christmas in which she was portrayed by actress Olivia Hussey. Hussey, known internationally at the time for her role as Juliet in Romeo and Juliet, signed on to the role after a psychic told her that she would be involved in a profitable Canadian film. Despite the dark undertones of the film and the mature themes, Hussey has described shooting the film as a great experience. In early stages of the screenplay, she was named Jessica Bradley; this remained her name in the 1976 novelization of the film. She is sourced in numerous academic materials for subverting many prior horror film tropes of the 1960s and prior decades such as the damsel in distress. The character is distinctive for her feminist focused story arc which follows her decision to have an abortion despite the opposition of her estranged boyfriend.
