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    George, Duke of Clarence Personality Type, MBTI

    What is the personality type of George, Duke of Clarence? Which MBTI personality type best fits? Personality type for George, Duke of Clarence from The White Queen and what is the personality traits.

    George, Duke of Clarence
    ESFP

    ESFP (3w2)

    George, Duke of Clarence personality type is ESFP, an extrovert. As an extrovert, George was very outgoing and gregarious, constantly trying to make new friends. He was also constantly trying to make the best of things, including his position as heir to the throne. He would constantly engage in horse racing and gambling. He was constantly trying to win his many bets, but would constantly fail. He was also constantly trying to win people over to his side, constantly trying to charm them into liking him (or at least not disliking him).

    George was not only very outgoing and gregarious, he was also very easily bored. He constantly needed something to keep him excited so he wouldn’t start to become boring. This is why he constantly gambled and constantly tried to charm people.

    His extroversion would come out in his constant need for excitement and adventure. He would constantly be looking for the next big adventure. It’s what kept him constantly “on the go”, always doing something new.

    Another interesting thing about George’s personality type is his constantly changing desires. He would constantly want something different than what he had or what he was currently doing.

    George Plantagenet, Duke of Clarence, was a son of Richard Plantagenet, 3rd Duke of York, and Cecily Neville, and the brother of English kings Edward IV and Richard III. He played an important role in the dynastic struggle between rival factions of the Plantagenets now known as the Wars of the Roses. Though a member of the House of York, he switched sides to support the Lancastrians, before reverting to the Yorkists. He was later convicted of treason against his brother, Edward IV, and was executed. He appears as a character in William Shakespeare's plays Henry VI, Part 3 and Richard III, in which his death is attributed to the machinations of Richard.

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