Florence Foster Jenkins Personality Type, MBTI
What is the personality type of Florence Foster Jenkins? Which MBTI personality type best fits? Personality type for Florence Foster Jenkins from Florence Foster Jenkins 2016 and what is the personality traits.
ESFJ (2w3)
Florence Foster Jenkins personality type is ESFJ, or Extraverted, Sensing, Feeling, Judging
This personality type is the most likely to be a “Florence Foster Jenkins” personality type. ESFJs are typically warm, sympathetic people who want to help those around them. They take pride in helping those they love and want others to feel loved as well. They are typically very giving people who enjoy helping others. In general, ESFJs are very kind and warm-hearted people who love to spread positive emotions to those around them. This can sometimes lead to their being too kind and sympathetic, however, which can actually make them come off as being unhelpful and dishonest. Without the ability to set boundaries, ESFJs can become too emotionally connected and thus easily manipulated by those around them. Because they do so much for and with others and want so much to be loved, ESFJs can often feel stuck in life and unhappy with themselves because they feel they aren’t living up to their true potential.
What Makes a Florence Foster Jenkins?
Florence Foster Jenkins was an American socialite and amateur soprano who became known, and mocked, for her flamboyant performance costumes and notably poor singing ability. Stephen Pile ranked her "the world's worst opera singer... No one, before or since, has succeeded in liberating themselves quite so completely from the shackles of musical notation." Despite – or perhaps because of – her technical incompetence she became a prominent musical cult-figure in New York City during the 1920s, 1930s, and 1940s. Cole Porter, Gian Carlo Menotti, Lily Pons, Sir Thomas Beecham, and other celebrities were fans. Enrico Caruso reportedly "regarded her with affection and respect". The poet William Meredith wrote that a Jenkins recital "was never exactly an aesthetic experience, or only to the degree that an early Christian among the lions provided aesthetic experience; it was chiefly immolatory, and Madame Jenkins was always eaten, in the end."
