Tía Rosita Personality Type, MBTI
What is the personality type of Tía Rosita? Which MBTI personality type best fits? Personality type for Tía Rosita from Coco 2017 and what is the personality traits.
ESFJ (2w3)
Tía Rosita personality type is ESFJ, which is the most common personality type in the world, and the one you’re probably most familiar with. Most people are ESFJ, because most of the people you encounter are ESFJ. ESFJ is the most common personality type.
ESFJs are warm, caring, and loyal people. They strive to be good friends and family members, they take good care of their people, and they’re very generous and giving. They’re also great at managing other people’s feelings, because they seek harmony and peace.
ESFJs want to make the world a better place, and they’re not afraid of work or responsibility. They are very organized and responsible people who want to make their lives and those around them better. They’re often leaders, because they like to take charge and make things happen.
ESFJs want to achieve big goals and make a difference on a global scale. They are driven to help people and make a difference in the world.
ESFJs have a keen ability to read people and can often anticipate what they need before they even know it themselves.
Rosita (Selene Luna), also known as Tía Rosita, was the sister of Julio and Coco's sister-in-law. She is the heftiest of the deceased Rivera clan and also the kindest and sweetest, as her first reaction to seeing Miguel as a spirit is to run up to him (accidentally shattering and scattering her brother in the process) and give him a big hug rather than react with panic, shock or confusion. She wears pink flowers in her hair, which she hides her face in when Miguel asks for her blessing in defiance of Imelda. Her picture on the ofrenda is surmounted by a plate of cakes, suggesting she was a big eater and loved sweet things when she was alive. Rosita and her niece Victoria are both astounded when they see Imelda singing onstage and later help expose Ernesto de la Cruz's villainy to the Land of the Dead; Rosita angles a nearby camera on him and signals Victoria to switch it on.
