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    Edita Gruberová Personality Type, MBTI

    What is the personality type of Edita Gruberová? Which MBTI personality type best fits? Personality type for Edita Gruberová from Classical and what is the personality traits.

    Edita Gruberová
    INFJ

    INFJ (XwX)

    Edita Gruberová personality type is INFJ, which is explainable by the fact that she is a talented writer.

    After the interview, I asked her to write a character description for herself. She wrote this:

    I am a very mature 20-year-old girl with a good character, although I don't take my own words seriously. I am confident in myself and I can see the good points in me but I also see the flaws. I am a very stubborn person and that sometimes annoys people. Sometimes I am also too sensitive, but I know how to make compromises. I am very honest, although I don't like to be judged. I am an introvert and a bit of a loner, although I don't mind being part of a group on rare occasions (but I consider myself to be part of a community). When someone causes me hurt, I can be very moody and I can feel very lonely at times. Sometimes I am too optimistic and this is something that makes me vulnerable. I am not very talkative, but when I have something to say, I have a lot to say. Sometimes people don't understand me so well, but I like to be alone most of the time.

    Edita Gruberová (23 December 1946 – 18 October 2021) was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's Il barbiere di Siviglia, but successfully auditioned at the Vienna State Opera the following year, which became her base. She enjoyed huge success internationally in roles such as Mozart's Queen of the Night in Die Zauberflöte and Zerbinetta in Ariadne auf Naxos by Richard Strauss. In her later career, she explored heavier roles in the Italian bel canto repertoire, such as the title role in Donizetti's Lucia di Lammermoor, Elvira in Bellini's I puritani, and Elisabetta in Roberto Devereux. In 2019, she portrayed Elizabeth I who leaves her throne, concluding a stage career performing leading roles over 51 years. She is remembered as the "Slowakische Nachtigal" (Slovak Nightingale), and as the last prima donna assoluta.

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