Claude Debussy - La fille aux cheveux de lin Personality Type, MBTI
What is the personality type of Claude Debussy - La fille aux cheveux de lin? Which MBTI personality type best fits? Personality type for Claude Debussy - La fille aux cheveux de lin from Classical and what is the personality traits.
INFP (4w5)
Claude Debussy - La fille aux cheveux de lin personality type is INFP, a rare and misunderstood type to be sure. Each of the two personality types is unique, but the combination of these two is even more so. With this personality combination, you are likely to find those with the INTJ and INTP combination as well as those with the INFJ and INTJ combination.
Each personality type has a different way of dealing with the world, and so does the combination of two. This means you will find introverts with INFP, and extroverts with INTP. One thing you can be sure of is that the combinations make for a very interesting and unique combination indeed.
People with INTP and INFP tend to make for a highly independent thinker, one who can see through things and find their inner meaning where others might see only what is on the surface. You will find them looking at the world in ways others may not, for they don't want to be told what to do or how to feel or what to think. They have a difficult time making decisions about things that don't affect them on a personal level, and so they tend not to take things too seriously or too personally.
La fille aux cheveux de lin (French: [la fij o ʃəvø də lɛ̃]) is a musical composition for solo piano by French composer Claude Debussy. It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title is in French and translates roughly to "The Girl with the Flaxen Hair". The piece is 39 measures long and takes approximately two and a half minutes to play. It is in the key of G♭ major.
The piece, named after the poem by Leconte de Lisle, is known for its musical simplicity, a divergence from Debussy's style at the time. Completed in January 1910, it was published three months later and premiered in June of that same year. The prelude is one of Debussy's most recorded pieces, both in its original version and in subsequent various arrangements.
