Chen Bo'er Personality Type, MBTI
What is the personality type of Chen Bo'er? Which MBTI personality type best fits? Personality type for Chen Bo'er from Actors & Actresses Asia and what is the personality traits.
ENFJ (XwX)
Chen Bo'er personality type is ENFJ, or the "The Emergency Nurturer". As a child and young adult, the ENFJ is outgoing, enthusiastic, and eager to help others. They take joy in the company of others and are often good friends with those around them. They are loyal, helpful, and often naive and idealistic. However, at times they can be moody and prone to feeling inferior, shy or vulnerable.
By the time they reach adulthood, these personalities tend to become a little more reserved, quiet and structured. They still have a tendency to be helpful and friendly to people around them, but become more confident. They are also typically more emotionally stable on an individual basis, more sophisticated in their thinking, and more mature in their relationships.
ENFJs are usually extremely successful at accomplishing their goals; however, they can sometimes be indecisive and have a hard time making decisions. They tend to use their strong intuition to help them make decisions; however, they can sometimes be indecisive and have a hard time making decisions. These types are usually very successful at accomplishing their goals; however, they can sometimes be indecisive and have a hard time making decisions.
Chen Bo'er (Chinese: 陈波儿; pinyin: Chén Bō'ér; 1907–1951) was a prolific and revolutionary left-wing Chinese actress and filmmaker in the 1930s and 40s before her premature death in 1951. She began her activism work in Shanghai, writing essays for magazines and newspapers, where she expounded her beliefs about feminism, women's rights, and national salvation. It was also in Shanghai that Chen became a notable celebrity, starring in films and theatre productions and advocating for leftwing revolution. In Yan'an, where she established a film studio backed by the Communist government, she produced anti-Japanese theatre and drama performances, and assisted in screenwriting, directing, and producing. She was the first female director endorsed by the Communist government. She later moved to Changchun to work as Party secretary of the Northeast Film Studio, where she was a pioneer of Chinese animation. In Beijing, Chen was made art department director of the Central Film Bureau. She advocat
