The Song of Roland Personality Type, MBTI
What is the personality type of The Song of Roland? Which MBTI personality type best fits? Personality type for The Song of Roland from Literature Fiction and what is the personality traits.
ESTP (XwX)
The Song of Roland personality type is ESTP, which is therefore seen as the "Roland" personality type. The "Song of Roland" personality is the ESTP's perfect match. According to Carl Jung, the ESTP is a "Fire-Fighter," a personality type that is born in a time of war and fears losing it.
In the first book of the epic, "The Song of Roland," Roland, a young knight, takes up his father's sword to defend the Christian people of France against the Saracens. His efforts are successful as victory is finally achieved in 508. In the next book, "The Song of the Sword," Roland convinces Charlemagne to give him new knights to continue his mission. However, his new knighthood is dashed when Charlemagne dies in the winter of 714-15.
Roland, who is not old enough to succeed Charlemagne as king, goes on to become King of France and fights many battles for his people. He fights Christian and Jewish foes alike. In the last book of the Song of Roland, "The Song of the Swan," Roland's sword is lost in battle, and he dies in disgrace.
The Song of Roland (French: La Chanson de Roland) is an 11th-century chanson de geste based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778, during the reign of Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity from the 12th to 16th centuries.
The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the chanson de geste, a literary form that flourished between the 11th and 16th centuries and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry.
