Stanley Kubrick Personality Type, MBTI
What is the personality type of Stanley Kubrick? Which MBTI personality type best fits? Personality type for Stanley Kubrick from Epic Rap Battles Of History and what is the personality traits.
INTJ (5w4)
Stanley Kubrick personality type is INTJ, if you’re wondering.
Kubrick’s INTJ’s are rather private, guarded individuals. They are clever, clever enough to have made the best films in history. Intuitive, they are able to see the entire picture in their minds. Creative, they are able to come up with ideas which are, frankly, mind-blowing. Kubrick’s INTJ’s are very reflective, often turning their inner thoughts into passionate works of art, whether that means writing novels or directing movies. They are also perfectionists, often dying their hair multiple times to achieve that perfect shade of platinum which looks appropriate for their age.
It was his INTJ personality type’s desire for perfectionism which drove Kubrick to make the movie 2001: A Space Odyssey. INTJ’s are perfectionists who are also perfectionists when it comes to creating things. Even when they are not creating things, they are constantly thinking about things in their mind. They are in touch with their imaginations, which in turn gives them an understanding of the world around them. This is why Kubrick was able to see the entire picture when he made 2001: A Space Odyssey.
Stanley Kubrick was an American film director, producer, screenwriter, and photographer. He is frequently cited as one of the greatest filmmakers in cinematic history. His films, which are mostly adaptations of novels or short stories, cover a wide range of genres and are noted for their realism, dark humor, unique cinematography, extensive set designs, and evocative use of music. Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School from 1941 to 1945. He received average grades, but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for Look magazine in the late 1940s and early 1950s, he began making short films on a shoestring budget, and made his first major Hollywood film, The Killing, for United Artists in 1956.
