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    Dorian Gray Personality Type, MBTI

    What is the personality type of Dorian Gray? Which MBTI personality type best fits? Personality type for Dorian Gray from The Picture Of Dorian Gray 1890 and what is the personality traits.

    Dorian Gray
    ESFP

    ESFP (3w4)

    Dorian Gray personality type is ESFP, the idealist.

    The ESFP trait is the manifestation of the dichotomy of extroversion and introversion. The extroverted function is dominant, while the introverted function is secondary. The extroverted function is often expressed in the external world. The introverted function is often expressed in the internal world.

    The ESFP personality type is complex, because while the extroverted function is dominant, the introverted function is also dominant to the extent that it can present as dominant. It can appear as someone who is rebellious or even hostile when the extroverted function dominates, especially in social situations.

    ESFPs are very creative people, with an inclination for art, music, dance, fashion, dance, interior design, architecture, landscape design, fashion design, and architecture. They are also very good at making friends, often forming long-lasting bonds with others. They are an outgoing people who are very social and enjoy meeting new people.

    ESFPs are very charismatic and enjoy entertaining others with their wit and humor. They like to spend time with family and friends and enjoy being involved in their social life.

    The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, the magazine's editor deleted roughly five hundred words before publication without Wilde's knowledge. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year.

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