What is the personality type of Marion Davies? Which MBTI personality type best fits? Personality type for Marion Davies from Mank 2020 and what is the personality traits.
Marion Davies personality type is ESFP, a feeling type. The ESFP is a very outspoken person, who is often a bit of a rebel. They tend to be very impulsive and have a lot of energy. The ESFP can have a hard time being disciplined and being on time for things. They tend to have a lot of fun and make a lot of friends. The ESFP has good communication skills and is usually very social. They can be pretty stubborn and set in their ways. The ESFP usually has a lot of fun and is pretty happy most of the time. They are usually very successful since they are very social and always have a good attitude.
Here are some interesting ESFP quotes:
“If you don’t like something, change it. If you can’t change it, change your attitude. Don’t complain.” – Wayne Dyer
“A smile can mean so much more than just a pleasant face. It can be a portal to happiness, encouragement, and love. It can be a way to express gratitude, compassion, and patience. Let’s all try to smile more often, and let our smiles spread love and kindness wherever we go.” – Unknown
Marion Cecilia Davies was an American actress, producer, screenwriter, and philanthropist. Educated in a religious convent, Davies fled the school to pursue a career as a chorus girl. As a teenager, she appeared in several Broadway musicals and one film, Runaway Romany. She soon became a featured performer in the Ziegfeld Follies. While performing in the 1916 Follies, the nineteen-year-old Marion met the fifty-three-year-old newspaper tycoon, William Randolph Hearst, and became his mistress. Hearst took over management of Davies' career and promoted her as a motion picture actress. Hearst financed Davies' pictures and promoted her career extensively in his newspapers and Hearst newsreels. He founded Cosmopolitan Pictures to produce her films. By 1924, Davies was the number one female box office star in Hollywood because of the popularity of When Knighthood Was in Flower and Little Old New York, which were among the biggest box-office hits of their respective years.