Johnny English Personality Type, MBTI
What is the personality type of Johnny English? Which MBTI personality type best fits? Personality type for Johnny English from Johnny English Reborn and what is the personality traits.
ENTP (7w6)
Johnny English personality type is ENTP, as he has a dry, sarcastic wit and a curious, detached view of the world. He often uses sarcasm as a defense mechanism, and can be quite cynical at times, but is generally able to see the humor in almost anything. Like his namesake, he is also very intelligent and can often be quite witty. He has a logical mind that constantly seeks out ways of problem-solving and finding solutions to new situations, and he is excellent at improvising on the fly. He is extremely direct, outspoken, and can be somewhat blunt, but he has an odd sense of humor which he uses to cover this up. He does not like to be tied down or told what to do, and prefers to go his own way. He is often very self-confident and is not afraid to speak candidly about his opinions, even if they are unpopular or controversial. He can be very brave and daring, but he is also very secretive and has many secrets that he guards closely. He is very intelligent and is usually able to come up with new ways of doing things, but he lives for the moment and does not like to plan too far ahead.
Johnny English is a 2003 spy comedy film directed by Peter Howitt and written by Neal Purvis, Robert Wade and William Davies. It is a British-French venture produced by StudioCanal and Working Title Films, and distributed by Universal Pictures. Starring Rowan Atkinson in the title role, Natalie Imbruglia, Ben Miller and John Malkovich, it is the first installment of the Johnny English film series and serves as a parody and homage to the spy genre, mainly the James Bond film series, as well as Atkinson's Mr. Bean character. The character is also related to Atkinson's bumbling spy character from a series of adverts in the United Kingdom for Barclaycard in the 1990s. Released theatrically in the United States on 18 July 2003, the film met with mixed reviews from critics but was commercially successful and grossed $160 million worldwide against a budget of $40 million.
