Dr. Caligari Personality Type, MBTI
What is the personality type of Dr. Caligari? Which MBTI personality type best fits? Personality type for Dr. Caligari from The Cabinet Of Dr Caligari 1920 and what is the personality traits.
INTJ (3w4)
Dr. Caligari personality type is INTJ, the “introverted, intuitive, thinking, judging type.”
The INTJ is the most skilled and capable of all the personality types. INTJs are natural leaders who have a highly developed ability to think logically and creatively. They have a strong understanding of how the world works, and they can adapt their strategy as needed. They are extremely independent, and they are motivated to pursue their goals.
INTJs are typically very intelligent and insightful, and they can be very persuasive. They often appear extremely calm on the surface, but they can be very intense and driven underneath. They are very decisive and goal-oriented, and they don’t take well to being told what to do.
INTJs are very private individuals who are unlikely to tell others about their innermost thoughts. They need time to process their own ideas, and they prefer to work alone. They also tend to be very confident in their abilities, which may lead them to act without considering the possibility of failure.
INTJs prefer to work with other highly intelligent people who have similar goals or interests.
The Cabinet of Dr. Caligari is a 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. Considered the quintessential work of German Expressionist cinema, it tells the story of an insane hypnotist who uses a somnambulist to commit murders. The film features a dark and twisted visual style, with sharp-pointed forms, oblique and curving lines, structures and landscapes that lean and twist in unusual angles, and shadows and streaks of light painted directly onto the sets. The script was inspired by various experiences from the lives of Janowitz and Mayer, both pacifists who were left distrustful of authority after their experiences with the military during World War I. The film makes use of a frame story, with a prologue and epilogue combined with a twist ending. Janowitz has said this device was forced upon the writers against their will.
