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    Wojciech Kilar Personality Type, MBTI

    What is the personality type of Wojciech Kilar? Which MBTI personality type best fits? Personality type for Wojciech Kilar from Movie Composers and what is the personality traits.

    Wojciech Kilar
    INFP

    INFP (XwX)

    Wojciech Kilar personality type is INFP, which is a rare combination of the four letters. In my opinion, this combination of letters is by far the most interesting and complex. They are one of the few relations that I have seen where the qualities of the opposites are clearly visible – one side of the coin is a complete opposite of the other.

    INFPs are so rare because they are rarer than other types. Only 2% of the population is INFP. This means that there is a very small chance that you know an INFP – which also means that you can have intimate knowledge about them.

    In this article, I will analyze the characteristics of the INFP personality type and explain why they are much more complex than other personality types. I will show you why they are very hard to understand and will not be able to explain everything like other personality types.

    Let’s go!

    INFPs are harder to understand than any other personality type

    There are four letters in INFP, but it is not enough to fully explain their personality. You need to know what each letter means to fully understand their behavior.

    Wojciech Kilar (Polish: [ˈvɔjt͡ɕex ˈkʲilar]; 17 July 1932 – 29 December 2013) was a Polish classical and film music composer. His film scores have won many honors including the best score award.

    One of his greatest successes came with his score to Francis Ford Coppola's Bram Stoker's Dracula in 1993 which received the ASCAP Award from the American Society of Composers, Authors, and Producers in Los Angeles, nominated also for the Saturn Award for Best Music in a science fiction, fantasy, or horror film in San Francisco in 1993. In 2003, he won the César Award for Best Film Music written for The Pianist, at France's 28th César Awards Ceremony in 2003, for which he also received a BAFTA nomination. The film's soundtrack featured his "Moving to the Ghetto Oct. 31, 1940" with the other 10 tracks being works by Frédéric Chopin. The music in the movie includes pieces by Beethoven and Bach.

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