The White-Haired Girl Personality Type, MBTI
What is the personality type of The White-Haired Girl? Which MBTI personality type best fits? Personality type for The White-Haired Girl from The House In Fata Morgana and what is the personality traits.
INFJ (9w1)
The White-Haired Girl personality type is INFJ, the most common personality type in the world. They are very sensitive people, who are usually very kind and caring. INFJs are natural empaths, who are very empathetic to others’ feelings and emotions, and are very aware of their own feelings and emotions. INFJs are often called the “Counselor” personality type, because they are often very good at helping others, but they are also very capable of helping themselves.
INFJs are often very quiet individuals, who are not particularly social people. They are often introverts, who prefer to spend time alone with their thoughts. INFJs can be very friendly people, who enjoy being in close-knit groups of friends, but they prefer to spend most of their time alone with their thoughts. INFJs may have many friends in their life, but they do not have many “close” friends, because they prefer to keep their relationships private. INFJs are often very much in tune with the feelings of others, but they prefer to express their own feelings in private to avoid being misinterpreted.
INFJs are usually highly intelligent people, who are often very knowledgeable in many areas of life.
The White-Haired Girl is a Chinese opera, ballet, by Yan Jinxuan to a Chinese libretto by He Jingzhi and Ding Yi. The folklore of the white-haired girl is believed to have spread widely in the areas occupied by the Communist Party of Northern China since the late 1930s. Many years later, a literary work was created in the liberated area controlled by the Communist Party of China in the late 1940s. The film was made in 1950 and the first Peking opera performance was in 1958. The first ballet performance was by Shanghai Dance Academy, Shanghai in 1965. It has also been performed by the noted soprano Guo Lanying. The opera is based on legends circulating in the border region of Shanxi, Chahar and Hebei, describing the misery suffered by local peasantry, particularly the misery of the female members. The stories are based on real-life stories of no less than half a dozen women, in a time frame stretching from the late Qing Dynasty to the 1920s or 1930s.
