Daphne Blake Oram Personality Type, MBTI
What is the personality type of Daphne Blake Oram? Which MBTI personality type best fits? Personality type for Daphne Blake Oram from Electronic & Experimental and what is the personality traits.
ESFJ (2w3)
Daphne Blake Oram personality type is ESFJ, which means “Extroverted Sensing Feeling Judging.”
Daphne Blake Oram personality type is ESFJ, which means “Extroverted Sensing Feeling Judging.”
Daphne Blake Oram personality type is ESFJ, which means “Extroverted Sensing Feeling Judging.”
The ESFJ personality type is one of the 16 official personality types recognized by the Myers-Briggs Type Indicator (MBTI) since the 1950s. Originally called the “Judging” personality type, ESFJs are extremely warmhearted and sensitive, but also very perceptive and organized. ESFJs are focused on their relationships and are highly people-oriented. They are responsible, detail-oriented and reliable, but also have a deep desire for security as well as a strong sense of duty.
General Description of the ESFJ Personality Type
To understand more about the ESFJ type, it is important to know what makes this personality type tick. According to personality expert Dr. Debra Moore, ESFJs:
Are very affectionate and are very good at dealing with other people’s emotions.
Daphne Blake Oram (1925 – 2003) was a British composer and electronic musician. She was one of the first British composers to produce electronic sound, and was a pioneer of musique concrète in the UK. As a co-founder of the BBC Radiophonic Workshop, she became a central figure in the evolution of electronic music.
She was the creator of the Oramics technique for creating electronic sounds using drawn sound. Besides being a musical innovator, she was the first woman to independently direct and set up a personal electronic music studio, and the first woman to design and construct an electronic musical instrument.
Daphne Oram envisioned spatial sound treatment and amplification in performance before sound terms like "spatial sound" were used. Her tape-manipulation techniques became influential, and helped to pave the way for Delia Derbyshire.
Oram provided the prominent electronic sounds for the soundtrack of Dr. No. These sounds were used by the James Bond films up until Goldfinger.
