Harry Partch Personality Type, MBTI
What is the personality type of Harry Partch? Which MBTI personality type best fits? Personality type for Harry Partch from Electronic & Experimental and what is the personality traits.
ENTP (XwX)
Harry Partch personality type is ENTP, which is my favorite type. I am interested in how people perceive Partch, and how his music fits in with the music of my favorite composers, who were all ENTPs.
ENTPs are known for being both ethical and ethical, which is what makes them so wonderful. They are the idealists, the ones who are always thinking of new ways to make things better.
However, this doesn’t mean that ENTPs are always ethical. They are very good at seeing possibilities, but they are also very good at seeing possibilities that are far away from reality.
For example, many ENTPs are very good at thinking of ways to live on Mars. This is why they make great inventors. However, some ENTPs are good at dreaming of new ways to live on Mars, but not at living there, because the constant freezing temperatures would kill them.
It is possible that there is a part of ENTPs that is very ethical, but if there are no consequences for the actions that they have taken, then they will not be ethical.
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). He dropped out of the University of Southern California's School of Music in 1922 over dissatisfaction with the quality of his teachers. Early in his career, he was a transient worker, and sometimes a hobo; later he depended on grants, university appointments, and record sales to support himself. In 2004, U.S. Highball was selected by the Library of Congress's National Recording Preservation Board as "culturally, historically, or aesthetically significant".
