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    Theodoros Angelopoulos Personality Type, MBTI

    What is the personality type of Theodoros Angelopoulos? Which MBTI personality type best fits? Personality type for Theodoros Angelopoulos from Film Directors and what is the personality traits.

    Theodoros Angelopoulos
    INFJ

    INFJ (4w5)

    Theodoros Angelopoulos personality type is INFJ, and you were born on the 25th of March 1954 , and your sun sign is Pisces.

    Your potential:

    You are an excellent friend and a good soul. You are very intelligent and sensitive and you know how to read people. You are sensitive and empathic, and you can be very kind and gentle. But you can also be quite focused and stubborn. You are a very caring person, and you love your friends very much. But sometimes you can also be very judgmental. You are a very pleasant person to be with, and you have a great sense of humour. You are attracted to people who are sensitive and kind and you feel comforted by them. You can be very sensitive and empathic to others, and you will always try to help them when they need it.

    Your weakness:

    You can be too sensitive and empathic, and if you get hurt you will not be able to bear it for a long time. You will not be able to forgive someone who hurts you, and it will take a long time for you to accept that person again.

    Your best friend:

    You make friends easily, especially if they are sensitive and kind people.

    Theodoros "Theo" Angelopoulos (/ˌændʒəˈlɒpəlɒs/; Greek: Θεόδωρος Αγγελόπουλος; 27 April 1935 – 24 January 2012) was a Greek filmmaker, screenwriter and film producer.

    An acclaimed and multi-awarded film director who dominated the Greek art film industry from 1975 on,[1] Angelopoulos was one of the most influential and widely respected filmmakers in the world.[2][3][4] He started making films in 1967. In the 1970s he made a series of political films about modern Greece.

    Angelopoulos' work, described by Martin Scorsese as that of "a masterful filmmaker", is characterized by slightest movement, slightest change in distance, long takes, and complex yet carefully composed scenes; his cinematic method, as a result, is often described as "sweeping" and "hypnotic."[2][5]

    In 1998 his film Eternity and a Day went on to win the prestigious Palme d'Or at the 51st edition of the Cannes Film Festival, and his films have been shown at many of the world's most esteemed film festivals.[6]

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