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    Tinto Brass Personality Type, MBTI

    What is the personality type of Tinto Brass? Which MBTI personality type best fits? Personality type for Tinto Brass from Film Directors and what is the personality traits.

    Tinto Brass
    ESFP

    ESFP (8w7)

    Tinto Brass personality type is ESFP, which is likely to be found in bartenders, waiters, and concierges. Their interest in people and their admiration of the beautiful things in life are likely to lead them into art, music, and cooking. They’re incredibly sensual and emotional, and they’ll often be the first to express their affection. They love the finer things in life, and they’ll love to show off their skills with expensive music, dance, or culinary equipment.

    The ESFP personality type is best for careers that require charm, ability to make friends easily, and patience. It’s also a great personality type for people who like to entertain, but it’s not the most ideal for jobs like factory workers or construction workers.

    The ESFP personality type is likely to be found in bartenders, waiters, and concierges. Their interest in people and their admiration of the beautiful things in life are likely to lead them into art, music, and cooking. They’re incredibly sensual and emotional, and they’ll often be the first to express their affection.

    Giovanni "Tinto" Brass (born 26 March 1933) is an Italian filmmaker. In the 1960s and 1970s, he directed many critically acclaimed avant-garde films of various genres. Today, he is mainly known for his later work in the erotic genre, with films such as Caligula. n the 1960s and 1970s Brass was considered a promising experimental and avant-garde director, and his debut film Who Works Is Lost got very favorable reviews after screening at Venice Film Festival 1963.[1] In 1964, he was commissioned by Umberto Eco to create two short films experimenting with visual language.Throughout the 1960s and early 1970s, Brass directed films in many genres, including western (Yankee) and crime (Col cuore in gola), all using a very experimental editing- and camera-style. In 1968, Paramount Pictures offered Brass the job of directing A Clockwork Orange, which did not happen due to scheduling conflicts. He was called the Michelangelo Antonioni of the 70s. Malcolm McDowell.

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