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    Tsui Hark Personality Type, MBTI

    What is the personality type of Tsui Hark? Which MBTI personality type best fits? Personality type for Tsui Hark from Film Directors and what is the personality traits.

    Tsui Hark
    ENTP

    ENTP (5w4)

    Tsui Hark personality type is ENTP, which means that she is a talented and creative businesswoman who is a bit of a loose cannon.

    She has a very high EQ, which means that she can quickly size up a person and decide whether she wants to be a friend or a foe. She is a very strong leader, and she is fiercely loyal to those around her.

    In the past, Tsui Hark has been notoriously harsh to those who have disappointed her, which has earned her a reputation as a bossy “tiger mother” figure. She also has a tendency to be a bit of a control freak.

    Tsui Hark personality type is ENTP, which means that she is a talented and creative businesswoman who is a bit of a loose cannon.

    She has a very high EQ, which means that she can quickly size up a person and decide whether she wants to be a friend or a foe. She is a very strong leader, and she is fiercely loyal to those around her.

    In the past, Tsui Hark has been notoriously harsh to those who have disappointed her, which has earned her a reputation as a bossy “tiger mother” figure.

    Tsui Hark (Chinese: 徐克, Vietnamese: Từ Khắc, born 15 February 1950), born Tsui Man-kong, is a Hong Kong film director, producer and screenwriter. Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983), the Once Upon a Time in China film series (1991–1997) and The Blade (1995). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography".

    In the late 1990s, Tsui had a short-lived career in the United States, directing the Jean-Claude Van Damme–led films Double Team (1997) and Knock Off (1998). Both films were commercially unsuccessful and critically panned; Tsui himself was unsatisfied with his lack of creative control and returned to Hong Kong to continue his career, where he found commercial and critical success with blockbusters such as the Detective Dee film series, Flying Swords of Dragon Gate (2011), and The Taking of Tiger Mountain (2014).

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