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    The Drunkard Personality Type, MBTI

    What is the personality type of The Drunkard? Which MBTI personality type best fits? Personality type for The Drunkard from The Little Prince and what is the personality traits.

    The Drunkard
    ISFP

    ISFP (6w7)

    The Drunkard personality type is ISFP, in terms of the Myers-Briggs Type Indicator. ISFP is the fourth letter of the alphabet, and it stands for Introverted, Sensing, Feeling, Perceiving. The ISFP personality type is characterized by a love of nature, art, and creativity. They are usually artistic or creative in some way or another. They are people who are very imaginative. ISFPs are often very intuitive. They are also very friendly and caring. However, their strengths also include being very loyal and devoted to close friends and family members.

    ISFPs are also often attracted to careers in the art, music, or theater worlds. They are often artists themselves. Therefore, they may opt for careers in architecture, interior design, or other creative fields. ISFPs also tend to be very introverted. They are more likely to be shy than extroverted. Some may even demonstrate introverted tendencies in their social interactions. They may seem quiet and reserved when they first meet someone, but they will become more social once they get to know you better.

    ISFPs like to be alone at times.

    The Drunkard; or, The Fallen Saved is an American temperance play first performed on February 12, 1844. A drama in five acts, it was perhaps the most popular play produced in the United States until the dramatization of Uncle Tom's Cabin premiered in 1853. In New York City, P.T. Barnum presented it at his American Museum in a run of over 100 performances. It was among the first of the American temperance plays, and remained the most popular of them until it was eclipsed in 1858 by T. S. Arthur's Ten Nights in a Bar-Room. The primary writer of the play was William H. Smith, who also directed and starred in the original production in Boston in the 1844–45 season. Smith was the stage manager at Moses Kimball's Boston Museum, where the play was originally produced. An anonymous collaborator co-wrote the script. A commonly held theory identifies Unitarian minister John Pierpont as the unnamed collaborator.

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