Gian Maria Volonté Personality Type, MBTI
What is the personality type of Gian Maria Volonté? Which MBTI personality type best fits? Personality type for Gian Maria Volonté from Actors & Actresses Europe and what is the personality traits.
ENTJ (XwX)
Gian Maria Volonté personality type is ENTJ, a rare but not rare type. It is the most common type amongst world leaders, except in the U.S., where it is the least common.
Although Volonté is not the first female leader of what was once a known as a “man’s world”, she is the only woman to lead the European Union in its existence as an independent state.
As you can see in the chart below, Volonté did not come into power by running on a feminist platform. She ran on a pro-business and anti-European Union platform.
In the election, Volonté was the only candidate who was opposed to the European Union. She focused her campaign on fighting for individual countries’ rights and for a stronger defense of national sovereignty.
With her background in business, she was a strong advocate for reducing EU regulations and taxes, which she said prevented member states from competing against one another in the global economy.
It is interesting to note that Volonté’s conservative values and Euroscepticism is not considered unusual by EU officials.
“In fact, she is one of us.
Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor, remembered for his versatility as an interpreter, his outspoken left-wing leanings and fiery temper on and off-screen. He is perhaps most famous outside Italy for his roles in four Spaghetti Western films: Ramón Rojo and El Indio in Sergio Leone's A Fistful of Dollars (1964) and For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967). In Italy and much of Europe, he was notable for his roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri – We Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971) and Todo modo (1976). He is also recognized for his performance in Jean-Pierre Melville's Le Cercle Rouge (1970).
