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    Morris / Maurice De Bevere Personality Type, MBTI

    What is the personality type of Morris / Maurice De Bevere? Which MBTI personality type best fits? Personality type for Morris / Maurice De Bevere from Writers Comics and what is the personality traits.

    Morris / Maurice De Bevere
    INTP

    INTP (6w5)

    Morris / Maurice De Bevere personality type is INTP, but they can be rather social, which is why they are so social. They are the ones that you see at the office wearing a suit and tie, but not quite sure how it got there.

    But this personality type is not so much about the office, but the home. They are the ones that have a nice house, but don’t really put any time into it, or that have a nice car, but don’t really drive it. They are the ones that have a nice house, but are far more interested in being with friends.

    They are the ones that are the least likely to have a spouse, the ones that are the least likely to have kids, and the ones that are the least likely to be very active in their church or synagogue.

    They are the ones that are the least likely to have an interest in politics, history, or culture. They are the ones that are sometimes referred to as “what’s in it for me” types.

    They are also often called “lazy” because they are not quick to get something done.

    Maurice De Bevere (1 December 1923 – 16 July 2001), better known as Morris, was a Belgian cartoonist, comics artist, illustrator and the creator of Lucky Luke. His pen name is an alternative spelling of his first name. He created Lucky Luke in 1946 for Spirou magazine, the Franco-Belgian comics magazine published by Dupuis. Lucky Luke is a solitary cowboy who travels across the Wild West, helping those in need, aided by his faithful horse, Jolly Jumper. The first adventure, Arizona 1880, was published in L'Almanach Spirou 1947, released on 7 December 1946. Morris became one of the central artists of the magazine, and one of the so-called "La bande des quatre" (Gang of 4), with Jijé, André Franquin and Will. He did not work at the house of Jijé, contrary to the other two, but all four became very good friends, stimulating each other artistically. In 1948, Morris, Jijé and Franquin travelled to the United States (Will was too young and had to remain in Belgium).

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