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    Shoegaze (Shoegazing) Personality Type, MBTI

    What is the personality type of Shoegaze (Shoegazing)? Which MBTI personality type best fits? Personality type for Shoegaze (Shoegazing) from Music Genres and what is the personality traits.

    Shoegaze (Shoegazing)
    INFP

    INFP (4w5)

    Shoegaze (Shoegazing) personality type is INFP, which you can check out more about here.

    The INFP Shoegaze also has a strong tendency to get addicted to music, usually to the extent that they will spend hours upon hours listening to a particular song in a way that causes them to become extremely emotionally invested in the song. This is a complex concept in and of itself, and is a topic that's too in-depth for this article, but I can say that if someone has a strong tendency to get addicted to music, you can bet that they will be a Shoegaze.

    In any case, this personality type has a number of characteristics which will make them well-suited to dance music.

    In my opinion, this personality type is best when it comes to the aesthetic of music. It's hard-rocking and energetic, and it makes everything feel bigger and more powerful than it actually is.

    On a deeper level, this personality type will have a natural tendency to feel things deeply and intensely. This is a distinct characteristic that makes them ideal for dance music, where feelings are often expressed via dance moves that are driven by passionate emotions.

    Shoegazing (or shoegaze, sometimes called "dream pop") is a subgenre of indie and alternative rock that emerged in the United Kingdom in the late 1980s.

    It is characterized by its ethereal-sounding mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.

    The term shoegazing was coined by the British music press to describe the stage presence of a wave of neo-psychedelic groups who stood still during live performances in a detached, introspective, non-confrontational state with their heads down. This was because the heavy use of effects pedals meant the performers were often looking down at the readouts on their pedals during concerts.

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