David Mamet Personality Type, MBTI
What is the personality type of David Mamet? Which MBTI personality type best fits? Personality type for David Mamet from Film & Tv Crew and what is the personality traits.
ENTJ (8w7)
David Mamet personality type is ENTJ, extraverted, intuitive, thinking, judging, judging, perceiving). I am currently in the process of writing a book called “The Book of ENTJs” (I’ll be very happy if I get it published before I die. Good writing takes time.)
INTPs are very rare in the world of MBTI. They are also rare in the world of Jungian typology. I know of only two people, both friends of mine, who are INTPs. The only INTP I know who is currently working in the world of MBTI is my best friend, who is also my co-author on the book about ENTJ personality type.
Where to start? Well, you can start with me. I’m an INTP whose primary interest is in the nature of consciousness. I’ve had a number of books published on that topic. I’ve also had articles published on that topic in journals such as Journal of Consciousness Studies. I’ve also written articles on consciousness for newspapers including the San Francisco Chronicle and the New York Times.
I’m not a professional psychologist. I’m a professional writer.
David Alan Mamet is an American playwright, film director, screenwriter and author. He won a Pulitzer Prize and received Tony nominations for his plays Glengarry Glen Ross and Speed-the-Plow. He first gained critical acclaim for a trio of off-Broadway 1970s plays: The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His plays Race and The Penitent, respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017. Feature films that Mamet both wrote and directed include House of Games, Homicide, The Spanish Prisoner, and his biggest commercial success, Heist. His screenwriting credits include The Postman Always Rings Twice, The Verdict, The Untouchables, Hoffa, Wag the Dog, and Hannibal. Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna. He was the executive producer and a frequent writer for the TV show The Unit.
