Metro-Goldwyn-Mayer Studios Personality Type, MBTI
What is the personality type of Metro-Goldwyn-Mayer Studios? Which MBTI personality type best fits? Personality type for Metro-Goldwyn-Mayer Studios from Significant Businesses and what is the personality traits.
ENTJ (4w3)
Metro-Goldwyn-Mayer Studios personality type is ENTJ, which means they are a highly sophisticated and intelligent individuals who are often perceived as intimidating and quite intimidating.
ENTJ: Next Generation
ENTJ’s are the ultimate innovators and risk-takers. They are highly independent and extremely intelligent, and they take those traits to the extreme. They do not like to be told what to do, and they tend to be very goal-oriented. With this type of personality, deciding what you want and then focusing on how to get that is an essential part of the ENTJ’s life. ENTJs are also very focused individuals who are usually very good at what they do. They tend to have a plan for their lives and are able to stay on track. People with this personality type tend to be very logical and practical, but they also have a strong sense of compassion and caring. They care very deeply about the people they love. ENTJ’s often have very strong viewpoints and have very strong ideas about how the world should work. This is a very good thing, because ENTJ’s love to lead and will often be at the front of the pack when they are at the top of a situation or decision.
Metro-Goldwyn-Mayer Studios Inc. is an American media company, founded in 1924, that produces and distributes feature films and television programs. It is based in Beverly Hills, California. MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Pictures into a single company. It hired a number of well known actors as contract players—its slogan was "more stars than there are in heaven"—and soon became one of Hollywood's "big five" film studios, producing popular movie musicals and winning many Oscars. The company also owned film studios, movie lots, movie theaters and technical production facilities. Its most prosperous era, from 1926 to 1959, was bracketed by two productions of Ben Hur. After that, it divested itself of the Loews movie theater chain, and, in the 1960s, it diversified into television production.
