DNA ft. Suzanne Vega - Tom's Diner Personality Type, MBTI
What is the personality type of DNA ft. Suzanne Vega - Tom's Diner? Which MBTI personality type best fits? Personality type for DNA ft. Suzanne Vega - Tom's Diner from 1990s Music and what is the personality traits.
INTP (5w4)
DNA ft. Suzanne Vega - Tom's Diner personality type is INTP, or "Introverted Intuition (Ti)"
In the film, Jess tries to convince Tom that he's a fake, but Tom proves him wrong. He is exactly who he claims to be.
5. The Matrix - Morpheus spends most of the film trying to convince Neo that he is a prisoner of his own mind. He tries to convince Neo that he is nothing more than a slave to his own fears and imaginings. Much like in the "Down with the sickness" section of this page, this is an excellent example of an INTP seeing their own problems from a different perspective.
6. The Golden Compass - Lyra is constantly trying to convince her friends and family that she is on a secret mission, when really she's just playing games with them. She does this by being inscrutable, secretive, and her friends and family try to pry information out of her about what she's really doing. Lyra is good at convincing people she knows more than she actually does, which is an excellent example of INTPs' tendency to do this.
7. The Truman Show - Truman himself is one of the best examples of an INTP.
In 1990, two British record producers under the name DNA remixed “Tom's Diner”, grafting Suzanne Vega's vocals onto a dance beat from Soul II Soul (“Keep On Movin’”) and turning her simple ad-libbed outro – "Da da da duh, doo da-doo doo" – into the song's driving hook. Without permission from Vega, her record label, or publisher, the duo released the remix on a limited basis for distribution to clubs. Vega's record company of the time, A&M, decided to buy and release the remix rather than take DNA to court for copyright infringement.
According to Vega, "I heard that two young English guys called DNA had put a beat to it – and I cringed. I'd just had a big hit with ‘Luka’, which – unfortunately, despite its dark subject matter, child abuse – lent itself to all sorts of parodies and covers, most of which I hated. I feared more of the same, but to my great relief, I loved what DNA had done."
