Can - Future Days Personality Type, MBTI
What is the personality type of Can - Future Days? Which MBTI personality type best fits? Personality type for Can - Future Days from 1970s Music and what is the personality traits.
INTP (9w8)
Can - Future Days personality type is INTP, with a 9w7.
How does this relate to creativity?
I tend to be rather focused on one thing at a time, and I tend to focus my energy on the immediate problem. I am not that into brainstorming or getting ideas, I just don't have it in me. I've already thought of my conclusion, and I'm working on my deliverables.
I tend to be very analytical about my work, and I'm not interested in the big picture. I'm interested in details. I'm very detail oriented, and tend to be very analytical about my work. I'm not interested in the big picture.
I tend to be rather focused on one thing at a time, and I tend to focus my energy on the immediate problem. I am not that into brainstorming or getting ideas, I just don't have it in me. I've already thought of my conclusion, and I'm working on my deliverables.
This is more of a function of my personality type, but it might explain the future view point. I tend to be very focused on one thing at a time, and I tend to focus my energy on the immediate problem.
Future Days is the fourth studio album by the German experimental rock group Can, originally released in 1973. It is the last Can album to feature Japanese vocalist Damo Suzuki. On Future Days, the band foregrounds the ambient elements they had begun exploring on previous efforts, dispensing largely with traditional rock song structures and instead "creating hazy, expansive soundscapes dominated by percolating rhythms and evocative layers of keys." The album cover shows a Psi sign in the middle (drawn in the same style as the font used for the cover) and the I Ching symbol ding/the cauldron below the title. The surrounding graphics are based on the Jugendstil artstyle. The album was ranked number 8 on Rolling Stone's 50 Greatest Prog Rock Albums of All Time list. Pitchfork named it the 56th greatest album of the 1970s.
