What is the personality type of Pink Floyd - Brain Damage? Which MBTI personality type best fits? Personality type for Pink Floyd - Brain Damage from 1970s Music and what is the personality traits.
Pink Floyd - Brain Damage personality type is INTP, both in the Jungian sense and in the Myers-Briggs sense. On the surface, you would think that this type would be the most likely to be a true "genius," but that is not necessarily the case. In fact, I would argue that INTPs are often brilliant at going beyond what they can actually do, which is why they can often be seen as "geniuses." Yet, often their ideas are very impractical, and their work does not last very long. I think this is because INTPs often have a strong desire to understand the whole system, and they find it difficult to see all of the pieces that go into making up a system. They see one thing, and they see how it works, but they don't really see how everything else fits into that picture.
INTPs are known for their imaginative and creative abilities. They are known for seeing things that others do not see, and they usually have a great ability to think outside of the box. They often see things in a way that others do not, and can sometimes come to very different conclusions than others.
“Brain Damage” is the ninth track from English rock band Pink Floyd's 1973 album The Dark Side of the Moon. It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track “Lunatic” during live performances and recording sessions.
Roger Waters has stated that the insanity-themed lyrics are based on former Floyd frontman Syd Barrett's mental instability, with the line "I'll see you on the dark side of the moon" indicating that he felt related to him in terms of mental idiosyncrasies. The line "And if the band you're in starts playing different tunes..." references Barrett's behaviour near the end of his tenure with the band.