Bobby Darin - Mack the Knife Personality Type, MBTI
What is the personality type of Bobby Darin - Mack the Knife? Which MBTI personality type best fits? Personality type for Bobby Darin - Mack the Knife from 1950s Music and what is the personality traits.
ENTJ (3w4)
Bobby Darin - Mack the Knife personality type is ENFJ, with an idealist mindset. This person has a tendency to be incredibly compassionate, with a genuine desire to help others. They are also known to be extremely idealistic, which is very similar to the traits of the ENTJ. However, they are very forgiving of others, and they are known to always try to see the good in people. They are often very good at giving advice, and they're also known to be very supportive. They are also very understanding, and they're usually able to see beyond people's flaws. They are known to be very kind, and they don't judge others before they know them.
Bobby Darin - Mack the Knife personality type is ENFJ, with an idealist mindset. This person has a tendency to be incredibly compassionate, with a genuine desire to help others. They are also known to be extremely idealistic, which is very similar to the traits of the ENTJ. However, they are very forgiving of others, and they are known to always try to see the good in people. They are often very good at giving advice, and they're also known to be very supportive. They are also very understanding, and they're usually able to see beyond people's flaws.
Dick Hyman recorded an instrumental version in 1955. “Mack the Knife” was introduced to the United States hit parade by Louis Armstrong in 1955, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 for his album That's All (with Tom Dowd engineering the recording). Even though Darin was reluctant to release the song as a single, in 1959 it reached number one on the Billboard Hot 100 and number six on the Black Singles chart, and earned him two Grammy Awards, for Record of the Year and Best New Artist. It was listed as a Cash Box Top 100 number one single in 1959 for eight weeks. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it would not appeal to the rock and roll audience; he subsequently acknowledged his error.
