The Firebird Personality Type, MBTI
What is the personality type of The Firebird? Which MBTI personality type best fits? Personality type for The Firebird from Fantasia 2000 1999 and what is the personality traits.
ENTJ (XwX)
The Firebird personality type is ENTJ, which is one of the 16 psychometric types derived from Jung’s theory of Psychological Types. Although the two are not identical, they are remarkably similar. Firebirds are daring, forthright, decisive, and opinionated. On the level of personality, they are ambitious, confident, and decisive. They are likely to be successful in business or in most fields of human endeavor. They are usually fearless, determined, forceful, and strongwilled. On the negative side, Firebirds are also overbearing, demanding, stubborn, and opinionated. They are also typically aggressive, controlling, dominating, and aggressive.
The Firebird personality type is ENTJ, which is one of the 16 psychometric types derived from Jung’s theory of Psychological Types. Although the two are not identical, they are remarkably similar. Firebirds are daring, forthright, decisive, and opinionated. On the level of personality, they are ambitious, confident, and decisive. They are likely to be successful in business or in most fields of human endeavor. They are usually fearless, determined, forceful, and strongwilled. On the negative side, Firebirds are also overbearing, demanding, stubborn, and opinionated.
The Firebird is a ballet and orchestral concert work by the Russian-born composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company. The original choreography was by Michel Fokine, who collaborated with Alexandre Benois on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. Its premiere at the Opéra de Paris on 25 June 1910 was an immediate success, catapulting Stravinsky to international fame. The ballet was not only Stravinsky's professional breakthrough, but also the beginning of his partnership with Diaghilev, which would subsequently produce Petrushka, The Rite of Spring, Pulcinella, Mavra, and Les noces.
