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    Meyer Wolfsheim Personality Type, MBTI

    What is the personality type of Meyer Wolfsheim? Which MBTI personality type best fits? Personality type for Meyer Wolfsheim from The Great Gatsby and what is the personality traits.

    Meyer Wolfsheim
    ESTP

    ESTP (3w4)

    Meyer Wolfsheim personality type is ESTP, and I'm pretty sure you'll find him at the top of the ESTP totem pole. He has a very big ego and he's not afraid to show it. He's not the most skilled of the four archetypes, but he's certainly one of the more fun to deal with.

    He likes to get shit done. He likes to look his best. He likes to get his hands dirty. He likes to get his hair shorn. He likes to play with his gadgets. He likes to make shit happen. He doesn't like to be a backseat driver.

    And in a quest for "making shit happen," he'll often find himself in places where there aren't a whole lot of rules, and he'll often find himself in situations where he's competing against people who don't really know anything but they know how to work the system.

    He also likes to take over when things get dicey, when things get hairy, or when there's a real possibility that someone might push back against him, and that usually involves a lot of physical force and a lot of force majeure.

    Never underestimate the power of a good hammer.

    The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional towns of West Egg and East Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession with the beautiful former debutante Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval and excess, creating a portrait of the Roaring Twenties that has been described as a cautionary tale regarding the American Dream. Fitzgerald—inspired by the parties he had attended while visiting Long Island's North Shore—began planning the novel in 1923, desiring to produce, in his words, "something new—something extraordinary and beautiful and simple and intricately patterned."

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