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    Wolfgang Amadeus Mozart - Confutatis Personality Type, MBTI

    What is the personality type of Wolfgang Amadeus Mozart - Confutatis? Which MBTI personality type best fits? Personality type for Wolfgang Amadeus Mozart - Confutatis from Classical and what is the personality traits.

    Wolfgang Amadeus Mozart - Confutatis
    ENTJ

    ENTJ (8w9)

    Wolfgang Amadeus Mozart - Confutatis personality type is ENTJ, it is possible you are an opposite side of the coin. One of the most difficult personalities to deal with, the opposite of your introverted (IE) intuition, is the extroverted intuition (Ne). It is very much intertwined with your extroverted thinking. You are not much different than any other ENTJ in that it is very much about what you want and how you get it. The world is yours to conquer, if you can conquer it. You are what I would call a "leapfrogger" - you jump in headfirst, knowing that you will not be able to see the results of what you have accomplished but knowing it will be there. The problem with this is that you don't know how to wait for your results to come to fruition. You are at the mercy of your Ne, the extroverted intuition, which can bring you either success or failure. If you are successful, then you are a "lion" - a very strong leader. If you are not successful, then you are "a sheep" - a follower who follows without question. You are the opposite of your calm introverted intuition (Ti), which is what you would expect from an ENTJ type.

    Requiem Mass in D Minor

    Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.

    Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.

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