Arts and Crafts Personality Type, MBTI
What is the personality type of Arts and Crafts? Which MBTI personality type best fits? Personality type for Arts and Crafts from Visual Art Genres and what is the personality traits.
ISFJ (2w1)
Arts and Crafts personality type is ISFJ, which means that they are a "caretaker" type, who is highly concerned with the welfare of others and the well-being of the people around them.
"ISFJs seek harmony in their relationships, and are extremely loyal," writes the website Personality Junkie. "While they have a great deal of strength and endurance, they have a blind spot when it comes to their own needs. They often become overcommitted and neglect their own personal needs because they focus so much on what other people want from them."
The ISFJ personality type is also known to be a "people pleaser," who is kind and considerate to others, sacrificing their own personal needs and desires to make sure other people are happy and satisfied.
"ISFJs care deeply for other people, and feel guilty if they don't go out of their way to make sure their loved ones are happy," says the site. "They would rather sacrifice their own happiness than cause their loved ones pain."
Other ISFJ traits include:
• Being highly organized and systematic
• Having the ability to see the big picture and make decisions quickly and effectively
• Being trustworthy and reliable
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America. Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced, the movement flourished in Europe and North America between about 1880 and 1920. In Japan it emerged in the 1920s as the Mingei movement. It stood for traditional craftsmanship, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was anti-industrial in its orientation. It had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards.
