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    Land Art (Earth Art / Earthworks) Personality Type, MBTI

    What is the personality type of Land Art (Earth Art / Earthworks)? Which MBTI personality type best fits? Personality type for Land Art (Earth Art / Earthworks) from Visual Art Genres and what is the personality traits.

    Land Art (Earth Art / Earthworks)
    ISFP

    ISFP (9w1)

    Land Art (Earth Art / Earthworks) personality type is ISFP, I’d say.

    She is very individualistic and she has a lot of creative ideas which she does not hesitate to share with others. I was always interested in art and that is why I decided to study it at school. My mother worked as an artist and I thought about studying art as well, but I was not interested in the material part, only the creative part.

    I was very creative as a child, but I didn’t like to spend most of my time on my creative work, so I decided to take creative professions which would allow me to be creative and be useful at the same time.

    What creative professions did you take?

    I studied graphic design and photography at secondary school and then I worked as an illustrator and designer for a few years. I began to study art at the Faculty of Information and Media Technologies, but after a year I realized that it did not suit me and at the same time I did not like the atmosphere at the faculty. So I decided to go to art school.

    At what age did you decide to take creative professions?

    It was when I was 12 years old and I had just begun to paint, but without much knowledge.

    Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States,[2][3][4] but which included examples from many countries. As a trend "Land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth including for instance the soil and rocks and vegetation and water found on-site, and the siting of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.

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