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    New Objectivity Personality Type, MBTI

    What is the personality type of New Objectivity? Which MBTI personality type best fits? Personality type for New Objectivity from Visual Art Genres and what is the personality traits.

    New Objectivity
    ISTJ

    ISTJ (6w5)

    New Objectivity personality type is ISTJ, which stands for Introverted, Sensing, Thinking, Judging. ISTJs are the logical, practical people: They are dependable and steady, not prone to flights of imagination or impractical daydreaming. They are practical and responsible, prepared for life. They are reliable and thorough, and enjoy working hard at their jobs. They are also hardworking, conscientious and responsible.

    They are also practical and responsible. They are reliable and thorough, and enjoy working hard at their jobs. They are also hardworking, conscientious and responsible.

    They are reliable and thorough, and enjoy working hard at their jobs. They are also hardworking, conscientious and responsible. ISTJs often have a love for routine, order and organization. They are predictable and dependable, faithful and loyal friends and dependable employees. They can be staid and conservative as well. While they love to maintain order, they dislike being in a state of chaos or confusion.

    In terms of their careers, ISTJs tend to be more self-reliant and practical than others, preferring to advance their own interests rather than following the whims of others.

    ISTJs often have a love for routine, order and organization.

    The New Objectivity was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit.

    Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectivity, it was meant to imply a turn towards practical engagement with the world—an all-business attitude, understood by Germans as intrinsically American.

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