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    Andrew Lloyd Webber Personality Type, MBTI

    What is the personality type of Andrew Lloyd Webber? Which MBTI personality type best fits? Personality type for Andrew Lloyd Webber from Movie Composers and what is the personality traits.

    Andrew Lloyd Webber
    ISFP

    ISFP (XwX)

    Andrew Lloyd Webber personality type is ISFP, and we all know that ISFPs are musical and artistic, and that’s what they say, so I think it’s quite apparent that he is an ISFP. Do you agree?

    G: I am of course an ISFP, and I would say that his personality type is more of an ENFP.

    SP: So what makes him an ENFP?

    G: Well first, we all know that he’s a musical and artistic person and therefore, he is an INFP. Then, he is extroverted. You can see on the TV interviews that he expresses himself clearly and that he is sometimes very extroverted. And he also enjoys the limelight and the attention. At some point, it seems like he enjoys more the limelight than the music. And as an ENFP, he is very creative and imaginative and artistic and emotional, and those are all those characteristics of ENFPs.

    SP: Do you think he’s using his musical talent to express his emotions?

    G: I think that that is indeed a very important role of a composer or a musician – to express his emotions or feelings through his music.

    Sir Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were hits outside of their parent musicals, notably "The Music of the Night" and "All I Ask of You" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat, and "Memory" from Cats. In 2001 The New York Times referred to him as "the most commercially successful composer in history". Ranked the "fifth most powerful person in British culture" by The Daily Telegraph in 2008, the lyricist Don Black stated "Andrew more or less single-handedly reinvented the musical."

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